Greetings from a dimension of ineffable cosmic hideousness! Itās about time I made this post as some of you keep asking this question, not to mention lighting torches and raising pitchforks. Iāll try to resume as best as possible our vision for
ASYLUM, what weāre trying to achieve with the game, and why the darned thing is taking so long.
This is a long post, so grab a cup of coffee or beer and enjoy.
THE OBVIOUS
Weāre a very small indie team āessentially three peopleā operating on a shoestring budget. We tried going with publishers several times but either we found they didnāt share our vision, demanded too much or gave too little. Thereās definitely good people out there, but we could never find the right partner for the project.
Moreover, the conditions in Argentina, where we live, arenāt always the best. Weāre fortunate to have struck a balance between our personal lives and work, but often itās not that easy. Thanks to the generosity of Kickstarter backers, we were able to finance 50% of the project, the other half being self-funded from our own pocket. Itās very,
very hard to finance a large game project, especially one as atypical as
ASYLUM.
So we did what we humanly could throughout all these years, responding to industry changes and juggling with the circumstances. Of course we did mistakes, too. We truly regret the game has taken this long to develop, but one thing has never changedā¦
THE VISION
ASYLUM was born out of sheer love of adventure games and horror, as well as the experience with my first project
Scratches. It was always meant to be a more ambitious take on the ideas introduced in that game, which miraculously took
only three years to develop.
ASYLUM is at its heart a classic point-and-click adventure, but
feels different. Its ultimate goal is to be a modern and updated take on the traditional adventure game.
Iām even tempted to say
Interactive Fiction. It recently became obvious to me how much companies like Infocom have influenced
ASYLUM (and
Scratches). The layout of locations and emphasis on exploration is very similar to your average Infocom game ā in fact, the entirety of
ASYLUM could be rewritten as an IF game and
still work well.
So exploration is a key aspect we kept in mind when designing theā¦
LOCATION
Another goal was to give players the chance to explore virtual asylum that felt like the real deal. And yes, we went overboard:
Turns out asylums are rather big places:
Yeah. They have many floors too:
AND basements, but enough of these blueprints. Keep in mind that each one of those rooms have a distinct look and feel, as well as tons of little details to discover and cherish, as we donāt want to bore you to death. The whole location has been painstakingly designed and eventually youāll have full liberty to explore it as you want. Itās huge, intricate, filled with spooky secrets, and we estimate youāll spend several hours just exploring the whole place.
GAMEPLAY
Itās no secret the game is a love letter to adventure games, with a twist. We iterated over the interface several times until we found the right approach and balance. At its core,
ASYLUM works essentially like
Scratches: itās node-based with discrete movements.
This tried-and-true technique is ideal for adventure games as it allows us to create
very detailed graphics for the game, as well as avoid repetition. While the presentation might be somewhat jarring for some players who aren't familiar with classic adventure games, we found that you quickly stop thinking about it after playing for a short bit. Case in point,
Serena has been downloaded over 2.000.000 times with close to no friction when it comes to its presentation. Of course, fans of
Scratches know the format can work very well.
But we arenāt just making a bigger and badder
Scratches here ā we went one step further by integrating actual 3D elements with these pre-rendered nodes, tweaking stuff as much as possible to make it
seem as if you were playing a full 3D game, for instance adding breathe and walking effects.
(before you ask āwhy not go full 3D?ā, we did consider it at some point and realized it was virtually impossible to do, not to mention that it didnāt āfeelā right for the game)
So, imagine that we have these highly detailed rooms modeled with a 3D editor and each node is an actual cube. Fine, then we need to export 6 textures per node. Some rooms have up to 12 nodes. We connect the nodes together, add effects such as fog, dust, soundsā¦ and this is
just to move around the atmospheric locations. Interactions are a whole different story.
The nodes are flat textures (yes, really, people
still donāt believe this), so any change in a scene has to be represented by another texture. When you pick something up, we must replace that portion of the scene with another texture patch. And of course we also need to define hotspots so that you can interact with stuff:
Every single thing you see in the game is a hotspot. Well, you donāt
see the hotspot, but itās there. Itās not like we can say āoh hey, when the player clicks on this paintingā¦ā, no, we need to
manually define the interactive region. This is more straightforward in a 2D adventure game because there are proportionally much less scenes. But consider this: 80 scenes in a 2D adventure are already quite a lot ā in pseudo-3D like
ASYLUM with an average 4-5 nodes per room, those 80 scenes become 400. And this is in fact the amount of nodes we are estimating have been rendered for the game.
WRITING
Haha, see? See why weāre losing our minds with this project? But wait! You donāt know everything yet. Because I hate repetition in adventure games; I really dislike when you click on a hotspot and get the same canned response over and over again (i.e.: āThe ocean looks serene and comforting.ā). It especially feels artificial when you click a couple of times to check if the protagonist has something else to say and turns out the feedback is exactly the same.
So, we implemented a complex system to avoid that and wrote up to
12 different responses per hotspot.
Not just that, but a number of responses are tied to the mood of the protagonist (optimistic, somber, desperate), so some responses will be triggered after certain situations occur in the game. Imagine going back to a room and discovering that the protagonist has a completely different perspective on stuff. That previous line about the ocean turns into āJust as we came from them, one day weāll all return to the eternal watersā. Cheerful.
The sheet where we are keeping all this is BONKERS:
CHARACTERS
Itās estimated that
just the modeling, texturing and rigging of a character costs $8000 in the industry. That is
excluding animations. We have 4 main NPCs here, and 5 minor roles. Considering the animations, the "pro" industry price for our complete cast would have been the entire budget of the game.
Games. Are. Expensive.As an indie team we have options, but still, our inability to afford such industry costs resulted in a
huge deal of time and headaches creating these characters alone. They may not look AAA, but they more than get the job done and we are happy with the results.
In fact, we estimate that the Hanwell Mental Institute alone, where the game takes place, took us 3-4 years to create, and then another 2-3 years for the characters. Thereās many other aspects of course, but location and characters by far took us the most time of development.
STORY
The final piece of the puzzle is the story. Writing down the script was the first task that was ever done for the game many aeons ago. Itās thorough, twisty, and full of surprises (and we somehow managed to keep it secret for 10 years!). Our undying confidence in it is the reason why we spent so much time and effort working on this project. Itās the ultimate requirement to fulfill that original vision, to ensure the game does justice to the story that was written in the first place.
Itās far more ambitious and engrossing than
Scratches, which was praised for its story ā case in point,
Scratches was designed to make sure you never get to see any characters, with conversations always happening over the phone. However, this meant that great part of the plot always felt detached somehow, since thereās this rich array of characters you never see. The story in
ASYLUM simply wouldnāt work that way. You
need to see these people and even the past inmates through flashbacks. Come think of it, thatās
yet another aspect that took us a great deal of time:
ASYLUM has countless of cutscenes everywhere with characters and drama, many times more than
Scratchesā¦ but Iāll stop here.
AND NOW... THE STATUS UPDATE
That was merely a general overview. Thereās tons of angles behind the development that Iām not discussing here, but hopefully youāll understand a bit better our position and why this is taking so long. Ultimately, we donāt want to make a passable game but one that surprises you and is never forgotten. Turns out making that sort of game today implies a
vast amount of work.
But still, we keep making strides and enjoying a great momentum: as the game keeps growing in popularity (27.000 wishlists now!), weāre eyeing to have a complete playable build (beta) within 2-3 months. The vast majority of assets are ready and we're now focused on implementing puzzles and interactions.
As expected, this phase of implementing game logic is comparatively happening
much faster than all the previous years of production. To put it into perspective, imagine that we spent 90% preparing stuff and 10% putting everything together. This happens often with adventure games that depend a lot on narrative content and not so much on prototyping, AI, randomly generated content, etc.
As for the big question of when it will be ready, we're looking to confirm a release date when we hit the aforementioned beta milestone. However, it does look like we can make it this time and ship the game later this year. For the past several months, we've managed to meet every goal that we set for ourselves. Indeed, things are looking great!
Meanwhile, Iāll stick around updating, appreciating your patience, and answering questions. Let there be no doubt that we remain fully committed to this project and making sure itās released as soon as humanly possible. And I can tell you this: itās
thrilling to finally see the script coming to life, which is working as we hoped, equal shares of horror and mystery that hopefully you wonāt ever forget!
āAgustĆn
