LUNA The Shadow Dust News

Here comes the development update that you’ve been waiting for. We know it has been a while since we posted anything here, we do apologize for the delay! We’re full speed working on the game and the upcoming brand new demo, so let’s start the update with this exciting news!



Since the release of the Kickstarter backer early bird alpha test, we’ve received a lot of very positive and valuable feedback. We were then able to improve our build based on this valuable insight.

In order to reveal a little more about the world of LUNA, we've decided that before the official launch, we will present a brand new demo, featuring two new levels with four new locations. We hope this will give our players a good peek into the LUNA world. Also, this time, you will be able to fully experience our dual character control feature!

So stay in touch and sign up to our NEWSLETTER HEREto be among the first to click the link and gain access!



With more new footage to play around with, we’re now not only able to update our full-length trailer but also to make a different one focusing on gameplay! It is also high-time for us to work on the marketing side. With the professional help of both our Publisher and Marketing Consultant, we'd like to come up with the best phrase for LUNA to stand out from the crowd.

What's your favourite element in LUNA and what will be the part that most excites you? Leave a comment below and let us know!



Now, let’s see what has been achieved on the remaining game production work.

During the past few months, we finally reached our 3rd milestone!
Now ALL the cinematic animations are completed with music!

Along with the progression of the story, players will be presented with 6 visually stunning wordless cinematics, adding up to a total of 20+ min long 2D hand-drawn animations to experience! This is something we truly believe to be special about LUNA, it is not easy to complete such a quantity of cinematics with just one artist and one music composer, but we did it! Moreover, the team had been working on this game for a long time, even though when we first watched the full animation, we all still can’t help but felt deeply touched by the stories of these two beloved characters in LUNA. We sincerely hope that we can share this warm feeling with you in the final game.



Now, as we are reaching the end of the production, it’s time to focus on the final touches within the limited time available to reach as closely to the to the perfect standard we hope to achieve.

We’ve been also working on stuff like level load times, progress saving, menu and interface etc., improving the recognition level of all the interface button/icons. We’ve been testing all these system-related features, hoping these basic functions do not interfere with, but aid players’ in-game experience.

Meanwhile, sound design is still in process. It's halfway through and goes hand-in-hand with music optimization. We want to make sure that all the animation, SFX and music work in a harmonious way. Therefore we strongly suggest playing the demo (and the final game) with your best audio system or headphones!

Last but not least, we‘ve started the most crucial step before the game’s release: debugging! The progress is painful but necessary. Sometimes we do find some amazing and funny bugs, but even though we love them very much, we’ll make sure you'll never bump into these bad boys!

Some bug collections. The Tai-Chi Boy and Teleport beast!

When the build comes to a stable stage, we will most likely to have a limited number of keys for the public beta testing. If you’d like to be part of this, we will send out the beta sign up via our NEWSLETTER, please subscribe!


After last month’s trip back from GDC in San Francisco, we will be at the London EGX Rezzed 2019 at the Tobacco Dock from 4th- 6th in April! Come and see us, chat with the devs and play the LUNA EGX exclusive Demo! You can also purchase LUNA posters/postcards directly on that day and maybe ask Betty to draw you something :)

In the near future we are also going to Fusion G -Core exhibition in China on May 2019, and Gamescom in Germany later in the year!

We know we’ve said this countless times, but still now when the game is so, so close to being delivered, we look back on our first post. It really feels like an incredible journey. We are aiming to complete the sound FX and major debugging within the 2nd quarter, preparing the soundtrack and artbook material we promised our backers and complete the Steam page related jobs (achievement design etc). We should be able to update more frequently at this point, as the heaviest production work will be close to the end. We will be more actively involved in our Steam community discussion, social media events and much more!

Follow us on all our social media account below!
TWITTER / FACEBOOK / INSTAGRAM / YOUTUBE

Thank you all for being so patient and supportive, it's getting very exciting! Let us know us your crazy ideas to tell more people about LUNA; shouting "LUNA" in the neighbourhood 10 times a day? Hiring a celebrity cat on Instagram to hold our advertisement? Contacting NASA to spread the word in the skies? We’d love to be inspired!

Until next time, peace out!

When I was young, I read the story about John Dalton who described his own color blindness in 1794. In common with his brother, he confused scarlet with green and pink with blue. This story has always fascinated me, because with ‘normal’ vision, it’s hard to unsee the color you’ve seen or simply imagine seeing the world through a completely different color palette. And I’ve often wondered how can I ever be sure that the color “yellow” I see, is the same “yellow” as everybody else’s.

My childhood wonder had quickly been forgotten until many years later, when we started working on LUNA. After sending out an alpha demo to players, we suddenly realized there was a particular level in the game, in which a small group of people become seriously stuck where most other players usually wouldn’t.

In the puzzle, players are required to pick one particular color (the correct answer) among six different colors. To my eyes, these six colors were distinctively different from one another, however I later on found out that not everyone agreed with me. Finally I came to realize that the players who had difficulty completing this puzzle simply did not see the same color as me, either aware or unaware of their color weakness.
Working as an illustrator for many years, I am so used to selecting various shades of similar colors just to make a drawing perfect to my eyes. I will easily get frustrated when prints come out just a bit darker or bluer. I actually never really truly realized how different the experience can be between people with normal vision and those with limited color recognition. Until now!
To inform my actions, I did a bit of research about the different types of colorblindness, really wanting to find a solution to a color themed puzzle that everyone could play without struggling.

From the research, I learned there are commonly three main different types of colorblindness. Each of them has a restricted color vision within certain range of colors. Some are not sensitive to blue and green, others find it hard to differentiate from red and purple (see image below).



I realized that almost all sufferers experience issues with the color green. This was the problem with our level in LUNA, a lot of greenish colors were associated with the color picking step.

If we wanted our players to be able to pick a green tone color as the correct answer to complete the puzzle, deuteranope and protanope groups of players would have difficulty figuring out the right answer. To their eye, there were other colors that appeared to be the same (see example below).



Now we knew what the problem was, the next step was to redesign the colors for this puzzle. But the challenge, even now we were aware of the situation, was that there would still be no way for us to know which group of colorblind players would be playing this game. As all are sensitive to different rage of colors, simply changing from one color to another might just cause the problem for another group. We needed something for everyone.

First of all, we decided to avoid putting any green tones together in the design, as all three groups of colorblind people would have issues here. Secondly, we tried to avoid primary reds and greens in the same group, next to each other, as they often appear to be very similar as well. To help colorblind players, we added a bluish tint on the original design. By doing this, it knocks them into a different color range . Now, after the changes, players can distinctively tell the difference from A and B.




Last step, we re-designed the choices pool. From the previous six color choices we had before, three of them appeared very similar for colorblind players. Instead of changing the red color we wanted to use for the correct answer, we changed the other five, to make sure that all the other choices can still appear varied enough for colorblind players to distinguish within the range they can see. Although the final colors lose some of their original color tone, the answer color now looks different from the rest of other choices, and can be picked out more easily.



That’s how we attempted a more color-friendly redesign! We still have to test it with players to see if it actually works as intended, and also how much it might affect the original puzzle difficulty. We hope this will make everyone’s gaming experience more enjoyable. It was a very valuable lesson we learned from the feedback we received from our recent exhibitions and shows. You guys are helping us make the game better and better.

Hello LUNA supporters!

Happy New Year Everyone!

Hope you all had a wonderful Holiday Season, relaxed and well fed, and now fully boosted to welcome wonderful adventures in the brand new 2019! We can’t believe time passes so quickly - this year will be one of the most important for LUNA, because we are aiming complete production and deliver our final release!



Right now, these pieces of work are all going ahead together. While Betty works on the last few bits of animation and UI design, Susie is beginning the musical composition for our cutscenes. Fox and Guan, meanwhile, are full on with coding and optimization. Aside from all this, we are also continuing to work on our own real-time gameplay tests for LUNA, before moving towards external QA. In a nutshell, we will play the completed 25-level game ourselves from beginning to end countless times, to ensure it is smooth and well balanced.

Gameplay testing is vitally important. Over the past few months of initial proofing, we received a great deal of important pieces of feedback. As a result, we rearranged some of the levels to make sure that the puzzle order is nicely structured. Our original design might have looked good to our eyes, but at the end of day your enjoyment of LUNA is the most important aim for us. Third-party viewpoints are incredibly valuable!

Some screenshot from the cutscenes animations

Susie’s working progress for one of the animation cutscenes



We have thought a lot about how to apply a hint system in LUNA. Different games do this in various ways, so there is really no golden rule here. We don’t wanna take away the challenge and fun for puzzle lovers, but at the same time, we have to consider what will happen if players actually do get stuck.

The trend nowadays for many games is to rely on a step by step guide, which some say is helpful for players to understand quickly, but in our opinion, sometimes it dulls the experience of the game itself. LUNA’s fundamental core is point and click gameplay. The player explores their environment with the cursor. Above all, we really need to make sure when player focuses on an interactive area, they receive clear feedback that points towards the result, a direction or a solution. One of the key reasons we all love indie games is the freedom to break away from standard game industry design rules - if rules make our game less fun, why should we follow it.

In response to this, we’ve improved some of the mouse functionality and the appearance of interactive objects, so that the player doesn’t feel like they are just hunting for pixels! We’ve also designed a new loading UI/system to help people find their location inside the game better.

The improved cursor designs (arrow/hand/feet) for a clearer interactive experience in the game.


New loading screen, also serve the purpose as an in-game map, level selection page






In testing, we learned a very important lesson when we realized that one of our levels might appear to be particularly difficult for colorblind players or those with similar visual impairments. During the past few weeks, we redesigned some parts of the offending level to allow all players to see it clearly.

We also wrote a devlog about it, explaining how we attempted a more color-friendly redesign! We’re now testing this level again with players who might have found it confusing before. If you’d like to volunteer to help with this, please contact us - it will be very much appreciated!



Professional QA will be invited to help us debug, meanwhile we are working on ways to size down LUNA for final distribution. Last but not least, visual effects will help create an even better atmosphere for the game. How can magic be magic without pretty particle effects! *Lumos Maxima!*

By end of January, we’re aiming to finish all the cinematics and in-game animations. So the third milestone will hopefully soon be reached.

A new demo will be released soon in the first Quarter of the year, available for everyone to play.

So that’s all for this update, LUNA will be waiting for everyone very soon in 2019!

See you guys very soon with more news!

-Lantern Studio Team

Hello LUNA supporters,

How are you guys? It's Beidi here!
With the leaves slowing turning to yellow, we thought it was about time to give you guys another update on LUNA! Can’t believe these two months have flown by like an arrow. We’re heading closer and closer towards our production deadline. The past few weeks have been intensely busy for us (as usual) so let’s see what we have accomplished so far.

Optimization of the Walking System

We’ve been focused on optimizing the walking and interaction system recently and have upgraded it to a better, smoother one with some improved new animation sets. Instead of doing it the most common way, by moving a flat character walking animation between two spots, which usually might appear like sliding/floating on the floor while moving, we have built our walking system with a more realistic, handcraft look. We added more frames between the idle post and the walking cycle to give it a nice transition. With the variation of 8 different set of walking animations, our character is now able to stop on a very specific spot to interact with an object, each step firmly on the ground without sliding when walking.
The demonstration of the new walking system

We wrote a dev log about this issue, if you’re interested in the details you can read it here from our website.

Cinematic production

Knowing the storytelling will largely rely on the cinematics, we’ve been working on the story for a long time before finalizing our storyboard. Even so, there're still many details, the motion design of each scene that needs to be done along with the animation.

Background - draft animation - line drawing - clean up - coloring. This was and still is the ONLY way for traditional 2D animation nowadays. The magic button I am ever longing for to automatically create the in-between frames still waits to be invented. Until then, keep calm and keep animating.

We have in total about 15-20 min footage of hand-drawn animation in LUNA. Now we've done half of it, basically, 5-10 sec per day is our aim. Our plan is still to finish all the animation before the end of this year. It is a very tight schedule but we intend to keep up the pace! We’re really excited about it and can’t wait to have them all in the game as a whole.
Here are some sneak-peek footages of the animation we’ve done so far

Music and sound Fx

This is the desk where LUNA's music is born

Two-thirds of the levels now have music. We have to tell you, the music adds so much more emotion immediately felt when you play the game. It makes a huge difference.

Instead of each room having an individual background track, our music composer Wang Qian took a broader approach. Each character/chapter has its own melody, each with a distinctive emotional tune. By changing the instruments, key, or tempo, we apply subtle variations that blend nicely with each level or cinematic music track. So the overall album of the soundtrack of LUNA will sound more like one big complete work.

It’s not always a straightforward production process on the music side. Music is such an abstract form of art that within the team we had many differences along the way, sometimes even arguments! But the final result you’ll hear in LUNA is the best that came out of us.
You can listen it here and here

Adventure X and Weplay 2018



As some of you might know already, we will be attending this year’s Adventure X in London on Nov 9-10th. The game conference will be held at one of my favorite places in London, the British Library! If you already bought tickets, please do come and say hi, ask us questions or just chat! For those who can’t be there in person, please follow our Twitter, Facebook, and Instagram, we will have the live updates during that weekend to make sure we share our moments with you all!



Players will also be able to try out LUNA at Weplay 2018 in Shanghai on Nov 3-4th. Some of our team members in China might be there to greet you too!

Next few weeks’ plans:

From now until the end of this year we will be aiming to complete 90% of the animation (if everything goes super smoothly, we might even finish all of them, fingers crossed!), then complete three quarters of the music and soundtrack. Meanwhile, we will continue to have industry internal gameplay testing and debugging. We’re also about to start preparing the marketing and publishing / legal business.


So that’s all for this update, See you guys very soon with more news!

Best
Lantern Studio Team

We plan to post dev update here every two months. It’s Beidi here, artist from Lantern Studio, hope you guys are well?

Please read it while all the text is still in shape. With the heatwave still lingering around Europe and most of UK, we can’t guarantee this post won’t melt before it reaches all our lovely backers! With the great help of good old electric fans, (I’ve got two working 24/7 - one pointed at the laptop the other pointed at me) LUNA’s development is moving forward at a good speed. We’ve accomplished a lot of work in the past month, now let’s break it down in details.

First of all, we’re really happy to announce in this update that :
We reached our 2nd Milestone!

ALL the level design and background art for each level have now been completed!

This is a great accomplishment in our development, it means no more temporary mock-up blocks or shapes lurking around in the game anymore, and for the first time in the last two years of development, we get to looking at LUNA in the way we imagined it should look like. In HD quality and vivid color!


The other reason why hitting this milestone is so significant for us is, now that all the gameplay related objects have locked on their final position, we can then kick off the task of precisely tweaking all the animations/interactive movement for each level. Here’s one example of an animation - before we decided on the best position for the stool and the table in the house, the mouse move distance couldn’t be finalized. But now we can push with these types of jobs. Below is the final version for this small animation.


Because we can now truly visually experience the game in the same way that all players will experience it, we can also start working on adjusting the storytelling part of the game design. Between animations and cut scenes, there will usually be a transition period. It might seem like just a simple fading in or out or 1-2 short pause, but in order to give the best storytelling result, we need to treat this timing as an “editing job” like in a post-production movie. eg. Inside a dark room, do we want the players to feel excited or a bit uneasy? According to that, should we then increase or decrease the time they remain inside the darkness? Many of these nano-adjustment might seem unimportant in a puzzle game, but subconsciously, what we see and hear for a split sec will influence our emotion at different gaming stages. We could only start to play around these adjustments once we got the final artworks and animation in place.

Last but not least, this is also extremely important to our Musician, Wang Qian and Sound artist, Mr.F - by looking at each level in full detail then they give the best SFX designed for LUNA. Here is another music demo piece from LUNA. https://soundcloud.com/elecorgan/luna-musicroom-melodydemo



The next milestone we are heading towards is to build a complete beta demo. We will be aiming at two major tasks in the next few following months.

1) level gameplay optimization.

From all the exhibition experiences and a few private playtest results, we already gathered quite a lot of valuable feedback. That includes major bug reports/fixes and user experience improvements, so the characters can walk, climb, perform the way players think they should. Anything that’s confusing or leads players in the wrong direction will have to be taken out. This part usually takes a quite bit of back and forth, testing to get a perfect balance.

2) Cinematic production.

All cinematics need to transform from storyboard mockups to animated scenes with music. There’s really no shortcut for that, I just need to put my head down and start to draw. We’re planning to complete at least 80% of them by when we have our level optimization done. So when we send a demo for the formal playtest by professional QC and QA ppl, they should be able to have a very complete experience of LUNA.



We can’t leave our marketing side-quest neglected. A huge thanks to everyone who has been spreading the word for us and please continue to do so if you can! Now, you can not only follow us on Twitter https://twitter.com/LanternStudio_ and Facebook https://facebook.com/lanternstudiogames , we’re also on Instagram https://www.instagram.com/lanternstudiogames/ and Tumblr https://lanternstudiogames.tumblr.com/ !


We’ve also set up a Lantern Studio Newsletter https://lantern-studio.us19.list-manage.com/subscribe?u=1dda2d27b30a62fb46f3bdcd7&id=a466810fde , just choose your favorite media, we will make sure to update on all these platforms with our latest news! Sign up now and you’ll get some exclusive desktop/phone wallpapers to say thanks!
So that’s all for this update this time, we’re getting there slowly but steadily!
See you guys very soon with more news!

Best,
Beidi + Lantern Studio Team