Nightmare Circus News

[p]Hey everyone![/p][p]In today’s devlog, we want to discuss what we believe to be one of the most unique elements of Nightmare Circus: The Collision Combat System![/p][p]When we first began building Nightmare Circus, we thought a straightforward, action combat system might be enough. Swing, dodge, strike! These bases were the standard path. But when we put the prototype in players’ hands, their reactions told us otherwise. We noticed the moments that made the players cheer, laugh, and lean forward weren’t from landing clean, precise combos or watching damage numbers fly…[/p][p]It was from the impact.
At that moment, everything came crashing together (no pun intended).[/p][p][/p][p]This realization was the gift of Nightmare Circus’ Collision Combat, a system that transforms the whole area into a playground zone where the player is in control. Because here, you are the puppeteer, pulling every string on your stage.[/p][p][/p][p]Our inspiration came from the raw satisfaction of seeing results unfold in front of you, not numbers ticking down, but from the sight of an enemy being launched straight into a wall, a wooden pillar splintering apart, crates smashing into foes, and taking down others around them.
It was in these chaotic, messy, and deeply satisfying crashes that we found the true heart of our game’s combat. We realized Nightmare Circus shouldn’t follow the standard recipe for action games, but instead be built around impact – crashes that are thrilling, unpredictable, and uniquely your own.[/p][p][/p][p]Even the simplest attacks, which seem ordinary at first glance, were designed to carry choice and variety. A light strike is fast and can chain together multiple hits. A medium strike slows the rhythm slightly but extends your reach across the stage. A heavy strike is the slowest, but sweeps wide and sends enemies rolling away with explosive knockback.[/p][p]We never wanted these to be fixed patterns from a predetermined combo; instead, players are free to mix them however they like. Maybe they’ll unleash a flurry of light attacks before finishing with a crushing heavy blow that sends an enemy tumbling. Or maybe they’ll weave together different tempos to stretch out the damage window and create a unique rhythm of chaos.[/p][p][/p][p]Tying these core ‘strikes’ into aiming and throwing the Puppeteer’s Control Bar, we were able to further explore the toolkit of our combat system. What was once a light strike became Wrap, pulling everything nearby into a central crash. A medium strike evolved into Leap, letting you vault across the arena to reposition in an instant, with its charged version turning it into a Slingshot, that same attack turned into a devastating headlong smash, chaining crashes like falling dominoes. A light strike, further enhanced into Link, could tether enemies together, forcing them to share the consequences of every impact. And the heavy strike transformed into Hook, dragging an enemy straight into your face, ready for the next spectacular collision.[/p][p][/p][p]The Collision Combat toolkit is also applied beyond just fighting in the game; it extends into the puzzles and exploration of the stage itself! Players will smash wooden pillars blocking their path, drag objects onto switches to open new doors, or use Link to transfer energy between strange mechanisms. We designed these creative tests so that the game never feels like an endless wave of combat alone, but a circus of ideas waiting for you to explore and experiment with.[/p][p][/p][p]And then, of course, there are the bosses. Before Nightmare Circus, we had already built an action game where our Modular Combat system earned acknowledgment for making boss fights feel alive, allowing bosses to weave together combos dynamically while still keeping them fair for players to read and respond to. This time, we’ve carried that foundation forward and fused it with our new Collision Combat. The result is a fight that feels both intense and flexible. Bosses still pressure you with evolving sequences, but you’re no longer locked into one way of winning. You can lure, crash, improvise, and invent your own solutions to overcome them. Each fight becomes not just a test of reflex, but a stage for your personal style of control![/p][p]Of course, all of this would be meaningless without the feeling we call “juiciness”. Mechanics on paper are one thing, but satisfaction comes from how they feel. Every hit needs to land with weight, every heavy strike must send enemies rolling across the floor, and every collision has to crunch with sound, timing, camera shake, and visual sparks that make you say, “Yes, that felt real!” We obsess over details like hit-stop frames, particle bursts, and the exact moment of impact because those tiny choices are what turn a system into an experience.[/p][p][/p][p]With that being said, what we’ve described here is only a glimpse of what we’re working on. In the full game, there will be countless more combinations to discover, and we’re confident players will be able to create a combat style that is entirely their own.
Right now, the team is fine-tuning the details frame by frame, sound by sound, making sure that every crash in Nightmare Circus feels as powerful and satisfying as it should.[/p][p]Thank you everyone, for reading our second devlog! We can’t wait to see your feedback and, as always, join the discussion on our social media and be updated about the latest Nightmare Circus news![/p][p][/p][p]
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[p]After returning from Gamescom Germany, our next goal was to showcase the long-awaited Collision Combat system to the world. But as every game developer knows, plans have a way of changing, and this time, fate brought us an even bigger stage: Tokyo Game Show 2025.[/p][p]We began preparing for this event back in March. It took more than six months of coordination, booth design, demo setup, merchandise production, and technical planning to make sure everything was ready for one of the world’s largest gaming shows.[/p][p]This year, we joined forces with Red Dunes Games, our publisher, whose booth had grown tenfold since last year. And our Nightmare Circus space was a true reflection of the game itself! The booth team faithfully recreated a scene straight out of the game: a circus tent that looked playful at first glance, but upon closer look, carried an eerie and unsettling undertone. Suspended from above were dangling doll parts and ornaments, creating a stage that was both beautiful and haunting — the perfect embodiment of Nightmare Circus.[/p][p][/p][p]Inside, we had four demo stations equipped with PS5 controllers, and an additional setup at the Thai Pavilion, supported by DEPA and DITP. The air was filled with laughter, surprise, and the rhythmic crashes of combat, players figuring out their own combos, sometimes screaming in delight when enemies went flying across the screen.[/p][p]The Red Dunes Games team went above and beyond to create a lively, welcoming atmosphere. There were plushies, acrylic standees, stickers, and posters for players who joined in on booth activities — even premium prizes for the most dedicated visitors. Every corner of the booth radiated excitement, as if we had turned the game’s circus into a real festival.[/p][p][/p][p]The first two days were Business Days, filled with partners and media from across the globe. We received incredibly positive feedback! People praised the charming yet mysterious art style and the originality of our combat system. Having two interpreters on-site made everything smoother, from interviews to partner discussions.[/p][p]Then came the Public Days (Day 3–4) — the true test of our circus. With around 80,000 attendees per day, the booth was constantly packed. Lines stretched beyond our space, and it was surreal to watch players react to every fight, every collision, every satisfying moment. The smiles, laughter, and curiosity made all the hard work worth it. Many players asked if the game would support Japanese, and yes, it will in the full release.[/p][p]One thing we noticed throughout the event was how Nightmare Circus drew in a diverse range of players. The game’s art and plush characters caught people’s attention first, but it was the chaotic, satisfying combat that kept them playing. Some even came back for a second round just to try new combos!
Seeing our vision of “being the puppet master” come alive in players’ hands was one of the most rewarding feelings we’ve had as developers.[/p][p][/p][p]More than anything, though, what made this trip special was the people behind it. We want to extend our heartfelt thanks to everyone who supported us: our players, the Red Dunes Games team, the incredible booth construction crew who brought our stage to life, our hardware sponsors who provided five gaming PCs and full gear setups, the DITP team, our merchandise team, and the interpreters who tirelessly assisted us throughout the event.[/p][p]And most of all, a huge thank-you to the coordination team at Red Dunes Games, who weren’t just organizers but caretakers of everyone at the event. They ensured we always had water, food, giveaways, and — just as importantly — warmth. They constantly checked in with everyone: “Have you eaten? Are your legs okay? Don’t forget to drink water.” They weren’t just looking after us at FairPlay Studios, but everyone in the staff area.[/p][p]It’s thanks to all these amazing people working behind the scenes that the show ran so smoothly.[/p][p]Being there as a team, seeing players firsthand, learning from feedback, and standing beside so many passionate creators reminded us why we do what we do. And if we ever have the chance to return next year, we’ll bring even more of our team with us, so they can experience that same spark of inspiration.[/p][p]From a nightmare stage within the game to a real-world stage in Tokyo, Nightmare Circus has performed its first act![/p][p][/p][p][/p]

[p]Hey everyone![/p][p][/p][p]Spooky season is finally here, and we are celebrating it with Steam during the Steam Scream Fest![/p][p][/p][p]Starting today until November 3rd, you can enjoy a vast catalogue of scary games, and amongst them, you can also play Nightmare Circus Demo![/p][p][/p][p]Experience the first level and try out the string mechanics and what Nightmare Circus has to offer.[/p][p][/p][p]You can download the demo directly from the Nightmare Circus Steam page![/p][p][/p][p][dynamiclink][/dynamiclink][/p]

[p]Hey everyone! [/p][p]We have great news to share with you! [/p][p]While the team is over at the Tokyo Game Show 2025 (by the way, check out our socials to know what we're doing there!!), We just released the Nightmare Circus Demo [/p][p]This is your first-ever occasion to try our upcoming game and experience the unique String mechanic and its potential while going through the introduction level of Nightmare Circus! [/p][p][/p][p]Download the demo from here: [dynamiclink][/dynamiclink][/p]

[p]Hey everyone![/p][p][/p][p]Today, we at Fairplay Studio are excited to inaugurate the Dev Updates for Nightmare Circus![/p][p]In these articles, we will talk about the latest development news regarding our upcoming game and what we have been up to.
This month, we had the honor of flying to Germany to attend one of the biggest gaming-related events, the prestigious Gamescom, and we want to share our experience with you![/p][p][/p][p]Attending Gamescom 2025 in Cologne was an unforgettable experience for everyone. As both developers and gamers, stepping into the world’s largest gaming fair felt like diving into a sea of creativity, energy, and passion. This year was extra special for us because we weren’t just visiting as fans, but were a small piece of this amazing ecosystem with our own project!
For any studio, standing among the giants of the industry is an achievement in itself, but for us, it was also a payoff of a journey that we started years ago in Thailand.
[/p][p][/p][p]From the moment we walked into Koelnmesse, we could feel both anxiety and adrenaline rise! Massive halls welcomed us, stretched endlessly, each one filled with dazzling booths and experiences, from blockbuster AAA presentations to inventive indie experiments.
Attendees queued for hours to get a few minutes of gameplay, content creators live-streamed their discoveries on the spot, and the air buzzed with the constant rhythm of excitement, curiosity, and celebration of gaming culture. It was impossible not to feel inspired by the sheer scale of it all, where every corner had a new idea, a new story, or a new connection waiting.[/p][p][/p][p]This wasn’t our first time showing Nightmare Circus on the global stage. We had previously shared a short combat demo at Devcom last year. That early showcase was more of a glimpse, a taste of the mechanics we were building. But Gamescom 2025 was different. Here, we finally unveiled a fully playable demo that offered true narrative progression, cinematic cutscenes, and a much deeper combat system designed to reflect the full experience of the game. [/p][p]For the first time, players were able to immerse themselves not just in the mechanics, but in the atmosphere and narrative of Nightmare Circus. Watching players laughing, gasping, and even struggling (in a good way!) through our bosses was a moment of validation. It showed us that the experience we had envisioned was resonating with people who had never heard of us before stepping into our booth, and we cannot wait to let you all enjoy what Nightmare Circus has to offer![/p][p][/p][p]What stood out the most for us at Gamescom 2025 was how much we learned in such a short time. Rather than pitching to publishers or investors, our priority this year was different: we wanted to meet the people who could help us bring Nightmare Circus directly to players. Talking with press, content creators, and influencers gave us a better sense of how our game could reach audiences across the globe and, especially, understand their feedback and opinion on our project to know if we are going in the right direction.
[/p][p]The best part was the feedback we received from players who tried the demo. Watching how they reacted, where they got excited, and where they stumbled provided us with insights that are impossible to replicate in an internal playtest. It was like having dozens of live focus groups packed into a single weekend, and every small reaction became something we could take back to development and refine further.[/p][p][/p][p]Walking through the halls also gave us the chance to experience games from other developers. We visited countless indie booths from around the world, and each one carried its own unique approach to design and storytelling, which taught us a lot. [/p][p]That variety reminded us of what indie games should stand for: creativity, authenticity, and the freedom that enables us to reflect our own character in the project. It also gave us clarity on where Nightmare Circus fits within that landscape, and how we can continue shaping our future projects with more focus and efficiency.[/p][p][/p][p]And beyond the professional side, Gamescom was also about people. I had heartfelt conversations with gamers who stumbled across our game by chance, exchanged stories and advice with fellow developers, and even shared late-night currywurst with people I had only just met that day. Those moments reminded me that, at its core, Gamescom isn’t just about showcasing products—it’s about celebrating the community that binds us all together.
[/p][p][/p][p]Gamescom 2025 wasn’t just another stop on our journey; it was a milestone. For FairPlay Studios, it proved that a team from Thailand can stand proudly on the global stage and share our vision with the world. But this is only the beginning. Our next big stop is Tokyo Game Show 2025, where we’ll have an even larger booth and where the official public demo of Nightmare Circus will finally launch![/p][p][/p][p] If you’re heading to TGS, come find us! We’d love for you to be among the first to experience the game in its truest form and know what you think about our game.[/p][p]
[/p][p]Follow us on our socials to be updated about the latest Nightmare Circus news and know when the next Dev Update will drop! Thank you for your support. We cannot wait to see you enjoying your journey in the Nightmare Realm![/p][p]
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