1. Diplomacy is Not an Option
  2. News

Diplomacy is Not an Option News

A Year in the Early Access

[previewyoutube][/previewyoutube]
[previewyoutube][/previewyoutube]

Greetings. One year ago Diplomacy is Not an Option came to Early Access. We're celebrating this milestone with a new trailer and this dev-blog, where we'll break down just how much the game has changed in the past year. We also want to tell you how the final stage of Diplomacy is Not an Option development is going. Warning, long read ahead.

When our game saw the light on February 9, 2022, it was full of bugs. Some of them were annoying and some of them inspired us to bring new mechanics to the game. Diplomacy is Not an Option has always been and will remain our beloved child. During the past year, we've been supporting the game with patches and hotfixes. Let's take a brief look back to remember what it was like.

In February, two weeks after its release in EA, the first update rolled out. We did some work on the bugs, but the game's difficulty was not exactly welcoming. This is why the "City of Joy" mode was born, bringing DiNaO as close as possible to a spectacular city-building simulator. As for now, we're working on a new difficulty level for even more casual play.

In March and April, we analyzed our community feedback, and concluded that players wanted to focus on the broad strokes of combat, rather than get bogged down in minutia. Excessive micromanagement is annoying. Out economic layer and the interface required significant improvements. We began work to hammer out these problems in May.

With the second major update we switched to using a Universal Render Pipeline, improving the image quality. DiNaO gets a table of records and Endless Mode layouts with new enemies. (At that time, we thought that the Endless Mode was going to be the heart of the game in Early Access stage, but our players wanted something else).

Our biggest takeaway from feedback on the May update was that players wanted victory conditions, which just didn't happen in Endless mode. To fix address this, we launched Challenge Mode in June. With the same update, we also implemented a photo mode, promised way back in the Spring. In addition, we added tools for the more convenient army and economy management. Improving the interface is a constant effort, and one that continues to this day.

In the August update, we expanded the range of troops under the player's control. In response to complaints about the lack of content, we added the Foot knight, Horse knight, Mounted archer, Axe Warrior, and 'Burrdam Chimera' units to the roster. Of course, that's far from the end of it, and we're currently working on long-awaited traps and enhanced defenses.

In August, we completely overhauled the research tree, adding new technologies, and changing the effects of some existing research. We took this opportunity to tweak, tune and rework key parts of the game's economy too.

For October, we rolled out our Halloween-themed update. Along with new Challenges and Endless mode variants, the Undead joined the fight. We also did a lot of work improving the physics. Explosions get epicenters. Projectile trajectories become more predictable, increasing the accuracy of many types of troops. October was an intense month of development for our team, and we hope that no other month will be quite as nerve-fraying as that one.

The December update was dedicated to improving the late game. Resource starvation and repetition are addressed. Infinite sources of iron and stone are added to DiNaO. We also rebalanced the chance of obtaining Soul crystals. With less micromanagement required on the economic side, we bumped up the complexity of enemy waves in Endless mode, increasing the strategic skill ceiling. Finally, the long-promised mountain models were added, and we are extremely proud of them. In fact, we might never stop bragging about it.

While our focus was on survival-style gameplay, January's feedback made it clear that players want a Map/Scenario Editor and more story-driven Campaign missions. For this reason, in 2023 we changed our policy of releasing major updates at regular intervals to make these two most requested improvements happen.
[h3]
A little bit about the development of the Story Campaign[/h3]

DiNaO was designed as a survival game. Hunger, disease, war with vastly superior enemy forces, and other hardships of medieval life were supposed to be the main and only obstacles between you and victory. We had planned several factions for you to fight against, each with special abilities and thus provide mission variety. The first draft of the script contained twelve missions, and story branching that only affected cutscenes and dialogues. But we wanted more from the campaign, so we increased the mission number and added a wider range of objectives, necessitating a completely rewritten script. Here are a couple of examples of the challenges we faced.

Let's start with victory conditions. A pretty typical mission objective in the real-time strategy genre is to get your squad from point A to point B. In the case of DiNaO, the question arises: how long will that journey take, especially given the procedural map generation? Won't your squad die from starvation or disease on its way?

Imagine you have to storm someone's castle. There are archers and catapults on the walls, and your troops are trying to break through the enemy's defenses. But all the enemies currently in DiNaO are designed to lay siege to your base, rather than playing any kind of defensive role.

We are currently experimenting with all sorts of victory conditions, and have already found a number of solutions that will allow us to deliver a full and traditional RTS campaign within our gameplay framework.

Also, a few words on the story and artists' work. Given the ballooning scale of the campaign scenario, the number of cutscenes has (to put it mildly) increased dramatically. It's worth mentioning here that every cutscene is bespoke animation. After shooting, we need to bring add sounds to the cutscene and adjust the timing of lines so players have time to easily read them in all supported languages.

Now that we've lifted the veil of secrecy a bit over out processes in creating the Story Campaign, it's high time to answer the big question, "When?", and yes, we know you've been waiting ages for it.

At the time of writing, (February 9, 2023), our final script is finished. Several victory conditions have been coded in, and the vast majority of the sketches and concept art are done. Some cutscenes have been shot, but there's still a lot to do. We have no idea yet what difficulties we are going to face. But you've our solemn promise on one point: Diplomacy is Not an Option will launch out of Early Access in 2023. Once we've hit our stride and got a clear idea of when the end is in sight, we'll announce an exact release date. Between now and launch we'll also be updating the game with patches and hotfixes.

The full release will include the vastly larger and more involved Single-player Campaign with at least two distinct, game-changing plot branches. The launch version will also include the Map Editor, new biomes, new enemies, new Challenges and Endless Mode layouts. We've also got some surprises that we're not ready to announce yet, so stay tuned for more in future dev blogs.

Thank you very much reading all the way to the end – we know it's a lot. We hope this answered at least some of your most burning questions, and clarified our vision of DiNaO's future. One last thing to say. Without you – our players and fans - Diplomacy is Not an Option would not be the game it is today. We are very grateful for your feedback and suggestions, your loyalty, and your patience. Thank you helping us to understand how to make our game better. See you soon!

Yours, the Door 407 team

Weeklong deal!



This week, from January 16th to 23rd, we're having a sale. Come buy Diplomacy is Not an Option with a 20% discount!

The Princess



"That does it! I'm leaving!" - Princess Shankhar was packing her favorite basalt figurines into a bag. These handmade statuettes were standing on the floor around the family hearth.
Each one represented a month of living together. According to the customs of the Sarranga tribes, the first one was carved by a woman and given to the man on the day she realized she was ready to entrust him with her heart. If he accepted the gift, the next month it was his turn, which symbolized that he was happy to share his life with his beloved. The third one was given by the woman again, which meant that she was still not disappointed in her beloved, and so on. All figurines had their place around the family hearth and their meaning.
Every sixteen months the collection had to be completely renewed. As no matter how big the family hearth is, seventeen not to mention eighteen figurines - are a bit too much. Thanks to their placement, one always trips over them, in addition, they make cooking a risky business. How can you put a deer on a spit when you're surrounded by symbolic figurines, falling of which is a bad sign?
"For hunting?" - the princess' beloved, a young man named Kazakhrutla, was sitting by the window, staring at the melancholy drizzle. And at fishermen carrying heavy baskets of fish on their backs. Kazakhrutla was pondering how to make life easier for them. "I wish..." thought Kazakhrutla, "...to do so they wouldn't have to carry the baskets on their backs. But how? Skis maybe? No, that's only when it's raining, when there's mud and slush all around. I need something else".
"No, I'm going to my place. I'm going home!" - Shankhar had long ago gotten used to the fact that Kazakhrutla was a slowpoke. She felt alright with him being in his own thoughts and not paying attention to her. But eight figurines ago she believed that Kazakhrutla was a thinker and that one day he would invent something after all. That's what he said, accepting the first basalt statuette from her hands: "I am a thinker. Someday, Shankhar, I will invent something very useful."
She hoped it would be some kind of weapon to help Sarranga tribes to fight and even defeat the Undead. But Kazakhrutla thought differently, in a down-to-earth way. In addition, none of his "inventions" ever left the nappies of his mind to take shape, let alone being useful to the tribe.
Shankhar liked that Kazakhrutla was not with her for title and position in the tangled hierarchy of the Sarranga. It was quite an enviable position though - the princess' chosen one was allowed to enter the Palace of the Chiefs in the glorious city of Ninende. Fair to say Kazakhrutlu wasn't interested in her title and privileges. But neither was he interested in hunting and cleaning. There was also no use going to him for advice on how to settle a dispute between two of Shankhar's subjects. Not a single piece of advice had ever turned out to be helpful in the eight months they had been together. In a word, this chosen one was a lazy, slacker, and scalawag. So Shankhar collected the statuettes she liked, which symbolized that her heart was no longer entrusted to her beloved.
"Are you going for a long time?" - Kazakhrutla asked. He was accustomed to the princess being away on business in her native settlement for a day or two. However, his thoughts were with the shape of the sun disk peering through the clouds. The thinker was indeed on the verge of inventing the wheel. Who knows, maybe he would have even invented it someday. We'll never find out. Because Shankhar had walked away from Kazakhrutla that day, throwing the lad into the despair of an extreme degree.
"For forever!" Shankhar took the basalt dragon, the very first statuette she had made.
"How's that?" asked Kazakhrutla.
"Just like that!" - replied Shankhar, taking her sword off the wall and leaving the house. She slammed the door.
"And who's going to cook the fish?" - said Kazakhrutla melancholically.
Shankhar decided to reach her home settlement via the shore road. Because it was a safer choice. One never meets a ghoul by the sea. For some reason, the Undeads usually attack in the forest. And because Princess liked to walk in the rain and look at the sea horizon.
So she was walking, cursing Kazakhrutla, swearing off the time she lost with him and the need to look for a new chosen one. Because according to Sarranga customs, a woman cannot stay alone longer than sixteen months. Where she was supposed to find this new chosen one, as Kazakhrutla seemed to her the most clever member of Sarranga tribes?
Suddenly something in the sand caught her attention. As you know, nature doesn't like corners. And a wide piece of wood, thrown on the shore, had a very unusual form. It was wide and flat. Rectangular at one end and bitten on the other...

The Sea monster



The sea monster was exceptionally curious but very inexperienced. An excusable thing to say about the being that only lived in the world for the fourth day. Natural curiosity and youthful merriment caused the beast a lot of trouble. Just imagine: who would want to swim in a race against a fifty-foot monster with the appropriate breadth of the maw? Of course, no one would. Don't even try to convince some coralfish, that it's not going to be your prey. In truth, coral fishes don't work for sea monsters nor as a snack, nor as an appetizer. But fishes are mostly dim-witted and taciturn creatures. Perhaps that is why the monster could not make friends with them.
Having seen him, squids were letting out ink, disappearing in an unknown direction. Sharks were scurrying away and whales were rushing to the surface. In general, everyone was scattering from him. Which made Monster feel lonely all the time. And quite often, hungry. So hungry, in fact, that he almost always had a nasty feeling in his stomach. This, however, had no effect on his character. Despite the troubles, Monster remained optimistic, humble, and well-mannered.
On the fourth day of his life, Monster swam the familiar route, at a depth of about twelve feet, hoping to reap couple or three cheeky hogfishes, which recently made hunting near the coral reef a trend for themselves. The sun was pleasantly warm on Monster's back, the water was clearer than Inverland moonshine, and the beast was in a good mood. He was already anticipating his next treat. If it could drool, it would drool. But it could not, so it only squinted reverie.
Suddenly the sun stopped warming its back. "A cloud and nothing more," Monster decided. It would have swum on, but then a sound it had never heard before caught its attention. A low rumbling or creaking sound. The beast lifted its eyelids.
Right above him, a large and very strange fish was floating and casting a shadow, barely touching Monster's dorsal ridge with its belly. The beast became curious, so it moved up and followed the fish. The fish did not react in any way. More sounds were added to this creaking and humming. Somewhat of the roll call of dolphins, coming from the part of the fish that was above the surface of the water.
"Maybe we can be friends?" - Monster thought. And licked the fish in greeting. Its belly was in a state of disrepair - all covered with barnacles, crustaceans, and algae. It tasted disgusting. And there was disgusting slime on the tongue. "How can you be so filthy?" - Sea Monster grimaced. Suddenly something pricked him at the very ear. It didn't really hurt. More like made Sea Monster a bit sad. But How would you feel in his shoes? Just when you started getting to know someone, you got pricked in return. The beast knew that some fish were defending themselves that way. He also knew that some of them were electrocuted. But to do it like this, cheekily and without a real cause?
"What an impolite fish," the beast decided and was about to dive deeper when something pricked him again, at the other ear. The sounds similar to the roll call of dolphins became louder. Then a third prick followed. This, the third one, really pissed Sea Monster off, because the needle of some kind (now the beast saw what it was pricked by) hit it right next to its eye. "That's it, you asked for it," Monster finally lost his temper

Creative contest results



Guys, thank you very much for taking part in the drawing contest! We were very pleased to see such an activity of yours. You've sent us your creations on different social networks, so to pick a winner was not an easy task. However, it's time to share the results with you:

I will send the key to each winner. Thank you for being with us!